"This extremely minimalist album of high-concept drone was composed as the soundtrack for a Michael Azar play about the life of one of the most iconic tortured artists in history: poet Arthur Rimbaud. The actual music seems to have been secondary to the cleverness, veracity, and thematic consistency of the process, which I find both problematic and intriguing. That particular aesthetic often makes for an underwhelming and difficult listening experience, but Harar can sometimes be perversely mesmerizing in its simplicity too."
Audio-CD, Touch Music, London 2011
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